Between 19 he contributed to weeklies like the Florentine magazine 420 and wrote for the bi-weekly humor magazine Marc'Aurelio. All these forms of entertainment inspired his own outlook on life, which often mixed realism with fantasy.įellini had a gift for drawing and caricaturing, which motivated him to become a caricaturist and portrait painter. Fellini was particularly mezmerized by Winsor McCay's 'Little Nemo in Slumberland', Floyd Gottfredson's 'Mickey Mouse', George McManus' 'Bringing Up Father', Frederick Burr Opper's 'Happy Hooligan', Lyman Young's 'Tim Tyler's Luck', Alex Raymond's 'Flash Gordon' and Lee Falk's 'Mandrake the Magician' and 'The Phantom'.
His favorite magazine was Il Corriere dei Piccoli, which published both local "fumetti" (photo comics) as well as translations of U.S. He also lost himself at the circus and devoured numerous novels, fairy tales and comics. As a child he loved going to the cinema, praising Charlie Chaplin, Laurel & Hardy, Buster Keaton, Walt Disney and the Marx Brothers as much as Luis Buñuel, Roberto Rossellini and Sergei Eisenstein.
FEDERICO FELLINI LA STRADA MOVIE
Later in life he collaborated with Milo Manara and still kept sketching comics and cartoons before each new movie project.įederico Fellini was born in 1920 in Rimini.
FEDERICO FELLINI LA STRADA SERIES
His very recognizable and eccentric style inspired the eponym "Fellinesque". Little is known that before his cinematic career, Fellini was also a busy comic artist, drawing humorous series for the Italian magazine Marc'Aurelio. Recurring themes are Rome, the Catholic Church, the circus and clowns, huge women, love for cinema, scenes of decadence and people with unusual physical appearances.
His highly autobiographical work often borders to the sensational and surreal. Having technical issues? Visit our FAQ page here.'The Book of Dreams', from Rolling Stone Magazine.įederico Fellini was one of Italy's most famous film directors, widely considered one of the most influential directors of the 20th century. Restoration funding provided by the Hollywood Foreign Press Association. Restored in 4K by the Criterion Collection and The Film Foundation at Cineteca di Bologna’s L’Immagine Ritrovata laboratory, from a 35mm dupe negative preserved by Beta Film GmbH. With La Strada Fellini left behind the familiar signposts of Italian neorealism for a poetic fable of love and cruelty, evoking brilliant performances and winning the hearts of audiences and critics worldwide. When Zampanò encounters an old rival in highwire artist the Fool (Richard Basehart), his fury is provoked to its breaking point. Gelsomina is sold by her mother into the employ of Zampanò (Anthony Quinn), a brutal strongman in a traveling circus. Her husband, the legendary Federico Fellini, directs her as Gelsomina in La Strada, the film that launched them both to international stardom. There has never been a face quite like that of Giulietta Masina. Through our Virtual Screening Room, you can rent films curated by the Coolidge team, while helping to support the Coolidge during this unprecedented time.